Press Release
Ten years after our inaugural exhibition of works on paper by Omid Moshksar (b. 1972, Shiraz), O Gallery is pleased to present a new selection of drawings by the artist.
This body of work—created over the past 13 years—captures fragments of the world's scenes—a world born from the convergence of the artist's sources of inspiration—other artists, art movements, social phenomena and global events—with their lived experiences, imagination, and perceptions, deeply internalized within the layers of the artist's consciousness, shaping their vision and understanding. This process can imbue the artwork with depth and cohesion. Hence, what manifests in the work is not a direct reflection of daily events but rather a confrontation with the challenge of creation—a process that emerges from destruction—the artist confronts a challenge, one that carries no guarantee of a successful outcome.
Describing his process, Moshksar explains:
"There is no definitive number of times you revisit your work—you might finish it in one sitting, or it could take countless sessions. An artwork is not a functional object and this inherent quality makes it impossible to definitively declare it complete, even when the artist devotes all their knowledge and perception to its finalization."
Moshksar’s preferred medium of ink on paper is selected for its expressive qualities, which align seamlessly with his artistic vision, allowing for a direct and fluid translation of his perception into its finalization. He sees artistic expression as inherently influenced by evolving circumstances and accumulated technical experience. These dynamics shape collections of works that not only reflect his journey but also pave the way for future explorations.
The strength of Moshksar’s work lies in its ability to communicate visually, inviting audiences to engage with it as an active practice. He values the interplay between collective memory and the viewer's personal involvement, achieved through the act of perception. This intersection of mutual understanding and participation forms the core of what Moshksar appreciates most in the experience of art.
Selected Works
